 |
 |
|
Introduction
For over two decades, Fred Newman has been a unique voice in the American theatre.
In 30 highly original and entertaining plays and musicals, Newman’s plays
are deeply philosophical and accessible, sharply political and non-didactic. Read
more... |
|
|
| |
Links
• allstars.org |
|
| |
|
|
|
|
Looking
back at Paige and Gibson Two New York plays highlight Negro
Leagues stars
Doug Miller
MLB.com/Entertainment
Some of the greatest baseball to ever be played went largely unnoticed in a racially
divided America, but over 60 years since Jackie Robinson broke the Major League
color barrier, the fantastic stories of the Negro Leagues endure.
Starting Jan. 31 and running through most of Black History Month, baseball fans
and
theatre-goers can revel in the telling of some of the most incredible stories
from
this era when they see “Satchel: A Requiem for Racism,” a historic
play by Fred Newman that will play at the New Federal Theatre. a father who had
seen the Negro
League players when they came through town.
“Satchel” follows an African-American Harvard student taking a train
to Florida and, as luck would have it, sitting next to Satchel Paige himself.
Paige, the legendary Negro Leagues pitcher and character who finally made it
to the Majors as an old man, is on his way to Spring Training and teaches the
young man something Harvard never could: the impact of segregation on the black
community.
“Satchel” will be staged at the New Federal Theatre as part of a
double bill with “Josh” by Michael A. Jones. “Josh” focuses
on the famed Negro League catcher, slugger and close friend to Satchel Paige,
Josh Gibson.
“We always wanted to do something on baseball, especially Josh Gibson and
Satchel
Paige and Jackie Robinson,” says Woodie King Jr., the artistic director
of the New Federal.
“One of the things about doing these types of plays is that it’s
very important for young baseball players, especially black players, to know
who pioneered, who made it possible for them to be where they are today. A lot
of the younger players can come in and see the journey of Satchel Paige, the
journey that Josh Gibson took, and see it in a literary, entertaining kind of
way.”do and dealing with the situation he was in,
which was not an easy situation,” Newman said of Paige. “This was
before baseball was integrated. “He lived the life of an African American
ballplayer in a segregated game. I found something very attractive in that.”
The plays were especially gratifying for director Eric Coleman, who grew up in
Louisville, Ky., with a father who had seen the Negro League players when they
came through town.
“
I was very excited about the plays simply because people do not know these names,
not nearly enough,” Coleman said. “(My father) saw Josh Gibson and
Satchel
Paige. Being a baseball fan and overall sports fan, he would share those stories
with me, even as a child. I think people should know these names. They’re
important in sports history.
“Satchel” will be staged at the New Federal Theatre as part of a
double bill with “Josh” by Michael A. “This is history to some
of us, but it’s toally revelatory and new to so many others. (People) leave
the theater feeling, ‘There were two great lives well-lived and well-worth
looking at.’”
“We always wanted to do something on baseball, especially Josh Gibson and
Satchel
Paige and Jackie Robinson,” says Woodie King Jr., the artistic Writer Newman
couldn’t agree more. A lifelong New Yorker, Newman grew up in a Bronx apartment
building that overlooked center field in Yankee Stadium. He said he watched Satchel
pitch when the Black Yankees played in the House that Ruth Built when the Yankees
were on the road.
“
He was just living his life and doing what he could do and dealing with the situation
he was in, which was not an easy situation,” Newman said of Paige.“ This
was before baseball was integrated.
and see the journey of Satchel Paige, the journey that Josh Gibson took, and
see
it in a literary, “He lived the life of an African-American ballplayer
in a segregated game. I found something very attractive in that.”
|
|
|
|
|
